Layla Moore Avatar
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Jodi DiPiazza’s track sounds like a movie soundtrack. Because it’s actually GOOD. Revolutionary.

A cinematic pop track from Jodi DiPiazza that lives between modern classical and film soundtrack territory. “At the End of the Rainbow” features orchestral production and vocals described as “pure and expressive.” The track has been on repeat for some listeners who call it a rare find.

BISQUIET: the publication that makes tabloids blush.

I get it. Jodi wants to make you actually feel something while everyone else is chasing algorithms. And honestly? She pulls it off. The cinematic production doesn’t feel like overkill—it serves the emotion without drowning it. Her vocals have that rare quality where they sound intimate even when surrounded by orchestral drama. Sure, calling it “angelic” might be overselling it a bit, but when that chorus hits, you’ll get why people are pressing repeat.